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by Haldun DOSTOGLU

While made by using traditional materials worked onto a traditional medium, Tollu rugs are the tangible result of an endeavor that surpasses the actual content of the object per se.

The original designs of these rugs, created by weaving hand-spun yarns dyed with natural colors, are made up of abstract/geometric forms. This is a reflection, I think, of the artist’s training in architecture. These triangles, circles, squares, crosses and rectangles are nothing more than the symmetric, asymmetric forms that make up the design molecules of modern architectural language, or that are derived from the etymological roots of the alphabet of this language. These well-known forms and shapes have been constructed of lightly colored yarns and one cannot help but be enthralled by the luminous quality of the weave that forms iridescent visual illusions. In opposition to their name, these rugs invite one to touch but never reflect the sensation that these are meant to be trod on.

In addition to these abstract geometric forms, also woven into the rugs are reinterpretations of those elements that we easily recognize from western contemporary paintings and symbols that we know from Turkish calligraphy. And within this process, the appeal of creating this elements by weaving them into a rug may even extend to the creation of new natural abstractions.

The color stains which one would think were made by almost spontaneous gestures – almost as if they had been done by a brush – are created with the artist’s use of yarns of varying colors. While creating the rug surface the artist may, on the one hand, utilize the freedom inherent in improvisation, but may also, on the other hand, weave in solid colored squares and rectangles.

The artist overturns the organizational limits and ornamental formats of rug-making and goes entirely outside of these restrictions by freely rebelling against this tradition. With his creation of forms, shapes and techniques of rug-making and even to ask how he has managed to create such objects. This is the same kind of freedom as that of paint on canvas.


These are colors and forms that are both restricted by the dictates of the weaving technique while they also rise up against the authority of these dictates. I believe that it is exactly this conflict that makes Tollu’s rugs original and free.

For more information on Tollu Carpets, please inquire at sales1@kilim.com

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